Lesson 6

Logic's Software Instrument Inspector
Create a new Logic project and title it
Lesson 8 and add a software instrument track.
Locate the
Input/Output section of your software track in the Inspector Screen Shot 2014-02-01 at 3.46.32 AM and click on the empty slot directly below the I/O
Screen Shot 2014-02-01 at 3.44.03 AM
ES2 Hybrid Synth from the pull down menu by single clicking on the Input/Output (E-Piano) and navigate through the following:
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ES2 Hybrid Synth will now appear in your library section on the left hand side of the screen:

Screen Shot 2014-02-01 at 3.51.39 AM

Double click on the
Input/Output Screen Shot 2014-02-01 at 3.53.36 AM You will now see the ES2 Software Instrument.
Screen Shot 2014-02-01 at 3.53.45 AM
ES2 Hybrid Synth
You can close the
ES2 window by clicking on the X in the upper left-hand side of the window.
To open it again, single click on the
ES2 Screen Shot 2014-02-01 at 3.56.13 AM name in the Channel track.

 Screen Shot 2014-02-01 at 3.56.53 AM

Locate the
Factory Default pull down menu in the ES2 window and select
Synth Keyboards-Hybrid Electric Piano

 Screen Shot 2014-02-01 at 3.59.16 AM

Play your MIDI keyboard. You should now hear the
Hybrid Electric Piano patch from the ES2. If you play your keyboard hard, you may notice it clipping.
The ES2 clipping (not good)
We are now going to change the volume output directly from the
ES2. Locate the Volume control on the ES2 in the lower right-hand corner of the window. Grab the volume knob and lower the volume output.
image009 Volume Control

You may have to experiment several times before you get a good strong volume that is not clipping. Remember, when you are clipping in the digital world, you will be recording distortion and noise. Always check you output levels!
The Track Parameters
Click on the triangle next to the instrument name in the left-hand
Inspector column to reveal the track parameters for our newly created software instrument.
Screen Shot 2014-02-01 at 4.02.43 AM
MIDI Channel All: Use the up/down arrows to select a MIDI channel for instance of the same instrument that you add. If it is set to All it will sound on all 16 MIDI Channels. It is best the set this to a single channel, that way you can add up to 16 instances of the same instrument sounding on independent MIDI channels.
Screen Shot 2014-02-01 at 4.05.30 AM

Value as: DB: Logic will express volume information as MIDI values 0-127 or in decibels. The default is decibels.
Transposition raises or lowers the pitch to scale:
Screen Shot 2014-02-01 at 4.08.09 AM

To change octaves up/down quickly, click and hold on the up/down triangles.
Screen Shot 2014-02-01 at 4.04.33 AM

Velocity This is especially useful to quickly edit a note's velocity. Make sure that you have recorded something on the ES2 track.
Make sure your recorded track is highlighted by clicking on and selecting it:
Screen Shot 2014-02-01 at 4.10.33 AM

command-0 on your computer keyboard, and you will see the following window appear:

Screen Shot 2014-02-01 at 4.10.43 AM

From this window, simply click on a velocity value to change it. You can also edit individual notes as well.
The Region Parameter Box
Locate the box at the top of the
Instrument Inspector track window:
Screen Shot 2014-02-01 at 4.14.10 AM
The Region Parameter Box
Quantize: Click and Hold your mouse on the off and you will see the Quantize pull down window:
Screen Shot 2014-02-01 at 4.15.07 AM

This allows you to set a
Quantize value when you are recording. This is especially useful for entering percussion parts, where you want the timing to be locked in.
For an explanation of
Quantize, click on the link below:
Experiment with the different Quantize values when you are recording.
Loop: If you check this box, Logic will loop a region.
Click on the region that you want to loop so that it is highlighted
Screen Shot 2014-02-01 at 4.17.03 AM

Check the box next to
loop or type L on your computer keyboard and the region will now be Looped.
Screen Shot 2014-02-01 at 4.17.36 AM
Screen Shot 2014-02-01 at 4.16.24 AM
Looped Region
Transposition this is the same concept as covered above, but in this case your transposition will affect tracks that are already recorded. Make sure that you click on the region that you want to transpose, and then select the transposition.
Velocity: This was covered above, but in this case, positive values ADD to whatever you have already recorded and negative values subtract from the velocities that you have already recorded.
Dynamics: This is very similar to a compressor, except that it is working with differences in MIDI velocity. Place your cursor on the up/down triangles and hold it there. You will now see the following:

Screen Shot 2014-02-01 at 4.18.32 AM
Values above 100% expand the dynamics and increase the differences between loud and soft. Values below 100% compress the dynamics and reduce the differences in velocity. If you select
Fix, you can specify a single velocity for the track selected.
Experiment with the different settings and listen!!!
Gate Time: This affects note duration and length. Click on the up and down arrows located to the right of Gate Time:
Screen Shot 2014-02-01 at 4.19.21 AM
Anything below 100% will shorten a notes length. Anything above 100% will lengthen a notes length. This is especially useful on some legato sting patches as it will make the transition between notes smoother by lengthening the note values.
Delay works just like the delay setting in the Instrument Parameter Box. The units for Delay are in ticks:

Screen Shot 2014-02-01 at 4.20.06 AM
3, 840 ticks for a whole note delay
960 ticks for a quarter note delay
240 ticks for a sixteenth note delay
120 ticks for a thirty-second note delay
60 ticks for a sixty-fourth note delay
You really need to experiment with the different settings to find out which will work best for a particular sound or instrument. Take notes and write down those settings that work best for you.

Working With Automation
One of Logic's main features is that it allows you to create an
automated mix. This is especially useful for creating professional mixes and having the ability to change audio effects in real time. In the past, the audio engineer would be assigned this task, but in today's world, it is now required that composers have the ability to do this so they can present a final mix to a client.
Make sure that your
Hybrid Electric Piano patch is loaded from the lessons above and also make sure that you have recorded something.
Viewing Track Automation
There are two methods of viewing
Track Automation in Logic:
Click on the
Automation icon at the top of the Arrange Window in Logic
Screen Shot 2014-02-01 at 4.23.01 AM The Show/Hide Automation icon.

Or, simply type the letter
A on your computer keyboard.
You will now see the following:
Screen Shot 2014-02-01 at 4.23.55 AM

Notice that you now have a line appearing on the track with
0.00 dB This indicates your track volume.
You also have the
Volume parameter appearing directly below the software instrument name.
If you hold your mouse on
Volume you will see the following pull down menu:
Screen Shot 2014-02-01 at 4.24.40 AM

If you select
Main from the menu you will see a new set of parameters.
Screen Shot 2014-02-01 at 4.25.46 AM

These allow you to select
MIDI Volume, Pan, Solo and Mute. You can then use the Pencil Tool to draw in your automation.
If you need to edit
Velocity you will need to do it in the Piano Roll Editor.
If you click on the
1 ES2 pull down menu you will now see several parameters that you can edit directly in the ES2 Software Instrument.
Screen Shot 2014-02-03 at 3.51.12 AM
There are so many effects that you can automate in each software instrument that it would take a separate course just to go through each instrument and effect. Experiment and take notes of any setting that you like. 
Automating Track Volume
Keep the main automation setting on
Volume. Click on the volume line to create a node. Notice that the line now turns yellow.
Screen Shot 2014-02-03 at 3.52.25 AM
If you place your cursor and click and hold on the
node you just created, you can now drag the node up and down to create a volume change.
Screen Shot 2014-02-03 at 3.53.01 AM
Notice that
Read now appears in green in the track name menu and the track slider.
Screen Shot 2014-02-03 at 3.54.12 AM
Read in Track menu
Screen Shot 2014-02-03 at 3.53.37 AM
Read in track slider.
This is telling us that Logic will now
read your automation. Hit the space bar on your computer keyboard to play back your MIDI track and notice the track slider moving. You have now created volume automation for this track!
Showing The Mixer Window
If you type
Command 2 on your computer keyboard or go to the Window pull down menu in Logic and select Mixer, you will now see Logic's Mixer Window.
Screen Shot 2014-02-03 at 3.54.55 AM
Play back your sequence and watch the slider on your
Hybrid Electric Piano track.
To view a brief tutorial on creating Volume Automation in Logic X, click on the following link:
Clip 10
Setting Up MIDI and Audio Devices
Go to your
Applications folder on your Mac and then Utilities-Audio MIDI Setup.
I usually place this in my Dock for easy access.
Audio MIDI Setup in my Dock
Launch the program and you will now see the following window:
Note: This is the MIDI window in the Audio/MIDI setup.
To view both the Audio and MIDI windows, go to the
Window pull down menu at the top of your Finder and select Show Audio Window.
You will now see both the Audio and MIDI Windows on your screen.
Let's start with the MIDI window (shown above). This will show any MIDI device that you have connected to your Mac. The lighter colored devices indicate that the device is not currently connected. If you notice, the only device that is currently connected to my Mac is the
M Audio Keyrig 25.
Rather than write all the steps out, I have prepared two short video on setting up your MIDI interfaces.

Video 1

Video 2
Setting Up An Audio Interface
While Logic will allow you to record and listen to your audio through your Mac's built in microphone and speakers, it is usually best to purchase an
Audio Interface to add to your Mac.
There are hundreds of good interfaces on the market in a variety of price ranges and quality. Research them, read reviews, and find one that best fits your price range and sound needs.
I have been very happy with the Apogee Ensemble, but it is not cheap! Apogee also makes lower-end audio interfaces that sound great and are designed to work directly with a Mac.
To view a brief tutorial on setting up an Audio Interface on a Mac, click on the following link:
Clip 11

Setting Up an External MIDI Instrument in Logic X
I am now going to show you how to add an
External MIDI Instrument in Logic X. This tutorial assumes that you have an external MIDI instrument hooked up to Logic via your MIDI or USB interface.
If you don't have an external MID instrument hooked up to Logic. feel free to skip ahead to Lesson 9
Open a new Logic Project and name it anything you want.
When you launch the program, create a single
Software Instrument track, but don't select the Open Library box. I know, you may ask, why don’t you select External MIDI
for our track? Trust me, this is MUCH easier!
Screen Shot 2014-02-03 at 4.20.12 AM

Locate the
Instrument input in your channel strip and click on it.
Screen Shot 2014-02-03 at 4.20.28 AM

From the pull down menu, select
External Instrument, Stereo.

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You will now see the following menu appear in the upper left hand side of your screen.

Screen Shot 2014-02-03 at 4.17.18 AM

Select your MIDI channel and and Input from this menu.

You can now record enable the track and hear your external MIDI instrument.

To Name your instrument, double click on the track name.
Screen Shot 2014-02-03 at 4.21.05 AM

You may then type in the new name of your external MIDI track.

Screen Shot 2014-02-03 at 4.21.23 AM

It is that easy!


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